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What are the limits for a director in extracting a desired performance? How far can he go? Must he be concerned with the possible adverse affect upon the actor as a person and an artist? Lyne and Miss Basinger, raise some disturbing questions. Accounts of making the film, related by Mr. The issue - of manipulating actors in ways that they are not always fully aware of to achieve a desired result -is one that comes up from time to time in movie-making. She does concede, however, that the experience helped her to grow as an actress and was a kind of exorcism that liberated her for new roles.

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The experience, Miss Basinger said afterward, was traumatic for her and even created some problems for a while in her marriage to Ron Britton, a former movie makeup man, now a painter. So he struck upon a more controversial approach: he tried to create to some degree an atmosphere on the set - and in particular a relationship between the two stars - that would push Miss Basinger into actually experiencing some of the feelings and playing them out in raw form before the cameras.

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Lyne, the normal professional techniques of the actress's craft were not sufficient to produce the highly-charged emotions Miss Basinger was called upon to portray. Lyne, who also directed ''Flashdance,'' said he needed to play upon ''an edge of terror'' in Miss Basinger, to create a more believable sense of fear, surprise and sexual arousal between her and her lover, played by Mickey Rourke.ДЄccording to Mr. People watching the shooting, he said, who did not understand the rationale behind the approach, sometimes became disturbed at the intensity of the emotions the actress and director displayed - from rage to despair - as they worked together. There appears also to have been some tension on the set, according to Adrian Lyne, the film's director, about the method he used to elicit the performance he deemed necessary from Miss Basinger. The controversial subject matter and the more explicit sado-masochism in some of the scenes proved so alienating to preview audiences that the film was severely cut, and its opening repeatedly delayed.

Elizabeth finally calls a halt and they separate. As shot, the film, from the novel of the same name by Elizabeth McNeill, contains some explicit scenes with none-too-subtle overtones of sado-masochism, as the two engage in sexual games that become more and more uncontrolled. So was Miss Basinger, she said, during the shooting of ''9 1/2 Weeks.'' The film is about an art dealer named Elizabeth and her sexual obsession, domination and finally degradation by a man named John, whom she meets by accident. ''There was something else I always saw in Marilyn Monroe,'' she said recently.

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Blonde, with full sensuous lips and a certain subtle luminescence to her skin, she projects an air of sexuality mixed with an almost childlike vulnerability that reminds some viewers of Marilyn Monroe. Even the critics who dislike her new movie, ''9 1/2 Weeks,'' agree that Kim Basinger is beautiful.